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Démon Shelf
Mathieu Matégot

Démon Shelf Mathieu Matégot
Démon Shelf Mathieu Matégot

Mathieu Matégot reached his creative peak in the 1950s, with such powerful pieces as his famous Nagasaki chair. The Biblio-Démon collection of bookshelves belongs to this same fertile period, during which Matthieu Matégot enjoyed working with metal, which he generally used as the dominant architectural element. The Biblio-Démon, for example, is visually dominated by its powerful black vertical metal uprights, which serve as the collection's signature. 

Démon Shelf Mathieu Matégot
Démon Shelf Mathieu Matégot

Vertical shelf brackets black metal.

Shelves oak, walnut or black stained ash.

Number of shelves the Biblio-Demon is available with 1, 3, 4 or 5 shelves.

Size Shelves width: 95cm, 155cm and 215cm.  Shelves depth:  25cm.  Shelves height: 2,5cm. Total depth (shelf + bracket) 27cm. 

Démon Shelf Mathieu Matégot
Démon Shelf Mathieu Matégot

H46 cm - 1 shelf (3 widths available)

Démon Shelf Mathieu Matégot
Démon Shelf Mathieu Matégot

Oak – 1 shelf
from

Walnut – 1 shelf
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Démon Shelf Mathieu Matégot

Black stained ash – 1 shelf
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H106 cm - 3 shelves (3 widths available)

Démon Shelf Mathieu Matégot
Démon Shelf Mathieu Matégot

Oak – 3 shelves
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Walnut – 3 shelves
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Démon Shelf Mathieu Matégot

Black stained ash – 3 shelves
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H141 cm - 4 shelves (3 widths available)

Démon Shelf Mathieu Matégot
Démon Shelf Mathieu Matégot

Oak – 4 shelves
from

Walnut – 4 shelves
from

Démon Shelf Mathieu Matégot

Black stained ash – 4 shelves
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H156 cm - 5 shelves (3 widths available)

Démon Shelf Mathieu Matégot
Démon Shelf Mathieu Matégot

Oak – 5 shelves
from

Walnut – 5 shelves
from

Démon Shelf Mathieu Matégot

Black stained ash – 5 shelves
from

Mathieu Matégot

Mathieu Matégot

Mathieu Matégot (1910 - 2001) is one of the most famous French designers of the 50s.

He studied at the School of Fine Arts in Budapest. He then visited Italy then the United States and decided to settle in France.

In 1933, he began designing furniture with the use of rattan and metal. However, as the war was raging he decided to enroll and was later taken prisoner. After the Liberation, he devoted himself to creating objects in transparent metal and opened his own studio in Paris and Casablanca.

He showed his work in 1952 at the Salon des Artistes Décorateurs. He rapidly became a global success. He particularly influenced the world of design with his avant-garde approach to forms and materials.