Egg & Swan chairs – Fritz Hansen

Arne Jacobsen, 1958

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Fritz Hansen
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

Authentic icons of Scandinavian design, the Egg and Swan Lounge chairs were designed in 1958 by Arne Jacobsen for the lobby and reception areas of Copenhagen's Royal Hotel. 

The commission, which included the design of the building and all interior fittings, was an exceptional opportunity for Arne Jacobsen to apply his innovative theories on the art of inhabiting space. 

Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

The Egg and Swan perfectly embody his ideal of "total design", with their rounded shapes contrasting with the taut, horizontal and vertical lines of the hotel itself. 

The Egg and Swan are the fruit of an innovative technique that Jacobsen was the first to use: a very hard foam serves as the skeleton of the shell, which is then padded and covered with fabric or leather.

Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

Like a sculptor, Arne Jacobsen spent many hours in the garage workshop of his home in Klampenborg, north of Copenhagen, perfecting various prototypes to find the perfect curves. 

Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

For the Egg, his ambition was to create an armchair inside which a sphere of intimacy could be created, even if the person sitting in it was in a noisy hotel lobby. With or without footrest, the Egg is the epitome of the lounge chair, equally at home in private or public spaces.

Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

Swan W74 x D68 x H77 or H85 cm – Seat height 40 ou 48 cm

Egg W86 x D79 x H107 cm – Seat height 37 cm 

Footstool W56 x D40 x H37 cm

Base The aluminum base swivels horizontally and vertically. The automatic return option allows the chair to return to its original position on its own.

Warranty Fritz Hansen offers a 20-year warranty after registering your furniture on fritzhansen.com

Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

Swan
from

Egg
from

Ottoman
Warranty

Chaise Série 7   Arne Jacobsen, 1955
Chaise Série 7   Arne Jacobsen, 1955
Chaise Série 7   Arne Jacobsen, 1955
Chaise Série 7   Arne Jacobsen, 1955
Chaise Série 7   Arne Jacobsen, 1955
Chaise Série 7   Arne Jacobsen, 1955
Chaise Série 7   Arne Jacobsen, 1955
Chaise Série 7   Arne Jacobsen, 1955
Chaise Série 7   Arne Jacobsen, 1955

Fabrics and Leathers

ALUMINIUM

Base colors

Free samples (against deposit)

Examples:

Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

Christianshavn 1154  (price group 0)
/ Satin-polished aluminum

Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

Re-Wool 0868 (price group 2)
/ Satin-polished aluminum

Christianshavn 1110 (price group 0)
/ Warm Graphite

Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

Hallingdal 674 (price group 2)
/ Satin-polished aluminum

Divina 623 (price group 2)
/ Satin-polished aluminum

Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

Divina Melange 120 (price group 2)
/ Satin-polished aluminum

Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

Christianshavn 1133 (price group 0)
/ Satin-polished aluminum

Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

Hallingdal 130 (price group 2)
/ Satin-polished aluminum

Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

Black Essential leather (price group 3)
/ Black

Christianshavn 1175 (price group 0)
/ Silver Grey

Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

Hazelnut Grace leather (price group 5)
/ Brown Bronze

Hazelnut Grace leather (price group 5)
/ Satin-polished aluminum

Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

Natural leather
(price group 5)
/ Satin-polished aluminum

Dark brown Grace leather
(price group 5)
/ Satin-polished aluminum

Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

Black Essential leather (price group 3)
/ Satin-polished aluminum

Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

Rustik leather (price group 5)
/ Satin-polished aluminum

Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

Concrete Embrace leather (price group 5)
/ Satin-polished aluminum

Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958
Egg & Swan chairs Fritz Hansen – Arne Jacobsen, 1958

The Swan chair is available in two seat heights: 40 and 48 cm.

Arne Jacobsen

Arne Jacobsen

Arne Jacobsen is born on February 11, 1902 in Copenhagen. His father, Johan Jacobsen, is a wholesale trader in safety pins and snap fasteners. His mother, Pouline Jacobsen, a bank clerk, paints floral motifs in her spare time. The family lived in a typical Victorian style home. As a contrast to his parents’ overly decorated taste, Arne paints his room in white.

Background & school relations

He met the Lassen brothers at Nærum Boarding School: later, Flemming Lassen was to become his partner in a series of architectural projects. Arne Jacobsen is a restless pupil, always up to pranks, with a self-deprecating humour. Already as a child, he showed an extraordinary talent for drawing and depicting nature through scrupulous studies. He wants to be painter, but his father felt that architect was a more sensible choice.

The Pleasant and the necessary trips abroad

Jacobsen’s travelling begin already in his twenties, when he went to sea to New York. Then followed an apprenticeship as a bricklayer in Germany and a series of study and drawing excursions to Italy. Jacobsen produced some of his finest watercolours during this period, capturing atmospheres and shapes accurately and carefully. From the beginning of his career, Jacobsen turned his gaze abroad, without abandoning Danish traditions.

Arne Jacobsen behind the design

Jacobsen production reflects his personality: an insistent, perfectionist modernist, to whom no detail was trivial, although the main picture was basically black/white and unambiguous. On the other hand, the nature-loving botanist and jovial family man: like him, his work is precise and warm, Danish and universal, modern and timeless.