Scandinavia Design > &Tradition > Flowerpot floor lamp
Scandinavia Design > &Tradition > Flowerpot floor lamp
The Flowerpot floor lamp was designed by Verner Panton and first published by &Tradition in a garden version. It is now available in a living room version.
Its height is ideal for wrapping armchairs, sofas and coffee tables in enveloping light. The shade hangs from a slender, arched steel stem developed from Panton's designs, held in place by a sturdy base.
Created by Verner Panton in 1968 and available in many versions, the Flowerpot lamp embodies the designer's experimental approach to interior design.
‘It is a pleasure to see the Flowerpot family continue to grow with this version, which my father created but never marketed,’ comments Carin Panton, daughter of Verner Panton. ‘The floor lamp variant reaffirms Flowerpot's status as a design that transcends both time and boundaries, responding to contemporary needs while striving to bring joy into people's lives by injecting a splash of colour.’
Material stainless steel, lacquered or chromed steel, textile cord
Dimensions 23 x 33 x H122 cm
matt black
cobalt blue
beige grey
Chrome
Verner Panton
Verner Panton started out as a painter before studying architecture at the Royal Academy of Fine Arts in Copenhagen. After an apprenticeship with architect/designer Arne Jacobsen, Panton moved into furniture and interior design, where he became famous for his avant-garde creations. These included legless chairs and a sofa placed vertically against the wall. In the 60s and 70s, his passion for designing entire environments led to immersive interiors featuring his hypnotic patterns and futuristic designs for furniture, lighting, wallpaper, posters and carpets.
Panton's innovative use of materials, colours and shapes has earned him a reputation as a visionary. In 1998, the Queen of Denmark awarded him the Knight's Cross of the Order of Dannebrog in recognition of his achievements.
The Flower Pot lamp became the emblem of the Flower Power peace movement in the 1960s. With its range of bright colours, it is just as synonymous with modernity as when it was launched in 1968. Panton's Topan lamp is its little sister, a simple half-sphere that can also be configured in groups. ‘Panton's provocative use of materials, geometric shapes and psychedelic colours set him apart,’ notes Martin Kornbek Hansen. ‘Our &tradition product catalogue would not be complete without this endearing example of this radical design evangelist.’
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