Scandinavia Design > &Tradition > Guild shelf HM14 / HM15

Guild shelf – &Tradition

Hvidt & Mølgaard, 1954

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&Tradition, Danish Design Furniture & Lighting
Étagère Guild – &Tradition Hvidt & Mølgaard, 1954

Danish architect Peter Hvidt designed his very first house in 1952 - for his own family of six - in Klampenborg, a small suburb north of Copenhagen frequented by architects Arne Jacobsen, Flemming Lassen and Kay Fisker.

Étagère Guild – &Tradition Hvidt & Mølgaard, 1954

Peter Hvidt designed the furniture with his partner Orla Mølgaard. Attached to the wall of the master bedroom is a remarkable 2-meter-long shelf, expertly carved from teak wood and supported by elegant brass fittings.

Étagère Guild – &Tradition Hvidt & Mølgaard, 1954

&Tradition reissues it, adapting it to contemporary needs. The HM14 version is 25 cm deep and 75 cm long, while the HM15 is 27 cm deep and 120 cm long. 

Both are available in solid oak and walnut.

Étagère Guild – &Tradition Hvidt & Mølgaard, 1954
Fauteuil X &Tradition
Fauteuil X &Tradition
Fauteuil X &Tradition

HM14 – oak

HM15 – oak

Fauteuil X &Tradition
Fauteuil X &Tradition
Fauteuil X &Tradition

HM14 – walnut

HM15 – walnut

Étagère Guild – &Tradition Hvidt & Mølgaard, 1954

Hvidt & Mølgaard

Hvidt & Mølgaard

Peter Hvidt (1916-1986) and Orla Mølgaard-Nielsen (1907-1993) were pioneers of Danish mid-century design and founders of Copenhagen-based Hvidt & Mølgaard.

Renowned for the simplicity of their work, the duo established a simple, precise aesthetic by designing countless pieces of furniture over the years, many of which have become icons of the era. The success of the AX chair (manufactured in 1950) was a defining moment for the duo. Not only did its precise, rigorous silhouette cement their position as leaders of Danish modernism, but the use of laminated wood enabled the chair to be mass-produced and exported internationally. This avant-garde approach to industrialized production paved the way for a new movement that relied on classic craft techniques to make affordable, beautiful domestic furniture.

Hvidt and Mølgaard-Nielsen possessed superior technical skills. Mølgaard-Nielsen studied furniture design at the Royal Danish Academy of Fine Arts under the tutelage of Kaare Klint, while Hvidt acquired knowledge of traditional craftsmanship during his cabinetmaking studies at Copenhagen's School of Arts and Crafts. Today, their work can be seen at MoMA, the National Gallery in Melbourne and the Design Museum in Copenhagen.