Scandinavia Design

CH004 Nesting Tables 

Carl Hansen – Hans Wegner, 1952

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Carl Hansen & Søn, Design Danois
CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952

Hans J. Wegner had a particular talent for creating furniture that blends in with its surroundings while standing the test of time. Such is the case with the CH004 nesting tables, which were designed to be functional and space-saving – properties that are still very relevant today.

First introduced in 1952, the nesting tables are characterized by their light, organic appearance, giving them a distinctive Wegner identity where every detail is thought out. 

The Nesting Tables consist of three tables that can be used together or separately. Thanks to their light and unobtrusive appearance, the tables fit perfectly into any interior.

CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952
CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952

CH004 Nesting Table
from

CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952
CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952
CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952

soaped oak

CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952
CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952
CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952

white oiled oak

CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952
CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952
CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952

oiled walnut / oil

CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952
CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952
CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952

oiled walnut

CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952
CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952
CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952
CH004 Nesting Tables  Carl Hansen & Søn  Hans Wegner, 1952

Hans J. Wegner

Hans J. Wegner

Hans J. Wegner was born in 1914 in Tønder, Denmark, the son of a shoemaker. At the age of 17, he finished his apprenticeship as a cabinetmaker with H. F. Stahlberg, in whose workshops Wegner’s first design experiments took form. He moved to Copenhagen as a 20 year-old, and attended the School of Arts and Crafts from 1936 – 1938 before he began working as an architect.

As a young architect, Wegner joined Arne Jacobsen and Erik Møller in Århus, working on furniture design for the new Århus city hall in 1940. It was during the same year that Wegner began collaborating with master cabinetmaker, Johannes Hansen, who was a driving force in bringing new furniture design to the Danish public.

The Copenhagen Museum of Art and Industry acquired its first Wegner chair in 1942.

Wegner started his own design office in 1943. It was in 1944 that he designed the first “Chinese chair” in a series of new chairs that were inspired by portraits of Danish merchants sitting in Ming chairs. One of these chairs, the “Wishbone Chair”, designed in 1949 and produced by Carl Hansen & Son in Odense since 1950, became the most successful of all Wegner chairs.

Among Danish furniture designers, Hans J. Wegner is considered one of the most creative and productive. He has received practically every major recognition given to designers, including the Lunning prize, the grand prix of the Milan Triennale, Sweden’s Prince Eugen medal and the Danish Eckersberg medal. Wegner is an honorary Royal designer for industry of the Royal Society of Arts in London. Almost all of the world’s major design museums – from The Museum of Modern Art in New York to Die Neue Sammlung in Munich – include his furniture in their collections.

Hans J. Wegner died in Denmark in January, 2007.

Hans J. Wegner’s  contribution to Danish Modern:

- First a cabinetmaker, then a designer: integrates exacting joinery techniques and exquisite form.

- A deep respect for wood and its characteristics – and an abiding curiosity about other natural materials

- Brings an organic, natural softness to formalistic minimalism

- Generally regarded as ”the master of the chair”, with more than 400 chair designs to his name