The Ro lounge chair lives up to its name, which means ātranquillityā in Danish. This armchair is the second creation by Spanish designer Jaime Hayon for Fritz Hansen, following on from the Favn sofa.Ā
Its aim is to create a space for relaxation and reflection, encouraging you to immerse yourself in its curves and take a moment to yourself. The base is available in brushed aluminium or clear lacquered solid oak. The trumpet-shaped legs of the Ro armchair are characteristic of Hayon's unique style, echoing its ceramic products which often have a flared conical shape.
Legs matt clear lacquered solid oak or brushed aluminium with nylon glides
Lounge chair H113 x 80 x 97 cm ā Seat height 43 cm ā
Armrests height 61 cm
Footstool H40 x 58 x 49 cm
Warranty Fritz Hansen offers an extended guarantee of 5 years for the fabric parts and 10 years for the legs and shell: to take advantage of this, simply register your chair on fritzhansen.com/my-fh
Ro Lounge chair
from
Ro Ottoman
from
Examples :
Shell Steelcut 935 (price group 2)
+ Cushions Nabis 23 (price group 2)Ā
Shell Steelcut 605 (price group 2)
+ Cushions Canvas 614 (price group 1)Ā
Atom 964 (price group 4)Ā
Shell Steelcut 435 (price group 2)
+ Cushions Canvas 414 (price group 1)Ā
Shell Hallingdal 130 (price group 2)
+ Cushions Canvas 124 (price group 1)Ā
Shell Twill Weave 780
(price group 2)
+ Cushions Safire 11
(price group 2)Ā
Shell Mood 4102
(price group 1)
+ Cushions Canvas 734
(price group 1)Ā
Born in Madrid in 1974, Jaime HayĆ³n has one of the most glittering careers in recent contemporary design. Although trained in Madrid, he forged his reputation at Fabrica, the creative breeding ground run by Benetton near the Italian city of Treviso. Arriving in 1997, at the young age of 24, HayĆ³n worked for Oliviero Toscani, who would soon place him in charge of the design department. It was at Fabrica that HayĆ³n first worked with BD on the Mail Me project.
In 2004, he decided to branch out on his own, settling in Barcelona and working on a number of projects while also exhibiting his more personal work in art galleries. The exhibition āMediterranean Digital Baroqueā, at Londonās David Gill Gallery, and the bathroom collection he designed for ArtQuitect marked the start of his meteoric international rise, which was established with the Showtime collection for BD and his subsequent work with companies such as Metalarte, Camper, LladrĆ³, Bisazza, Swarovsky, and Moooi.