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The PH3½-2½ Floor Lamp is part of the PH family of lamps with 3 shades, born in the winter of 1925-26 for an exhibition in Copenhagen. In 1926, Poul Henningsen said of this new system: "The real innovation of the PH luminaire is that it produces light that is both glare-free and economical.Â
It's fairly easy to create glare-free lighting (indirect light or with a thick shade) if a portion of the light can be wasted. It's also easy to create highly efficient luminaires if you ignore the fact that they are highly irritating to the eyes. But achieving lighting that is both economical and glare-free is an art."
The PH3½-2½ Floor Lamp has a top shade of approximately 35cm. The number 3½ refers to this diameter, while the number 2½ refers to the ratio between the large and the two small shades.
PH 3½-2½ – Chrome
PH 3½-2½ – Metallic Brass
PH 3½-2½ – Metallic Black
Materials Mouth-blown white opal glass + spun brass top plate. Base: spun brass. Stem: steel.
Mounting Cable length 2.5m. Switch on cord.
Weight 7.4Â Â kg
Light source 1 x E27
Class Ingress protection IP20. Electric shock protection II w/o ground.
Born in Copenhagen, Poul Henningsen's mother was the famous Danish actress Agnes Henningsen. He never qualified as an architect, but studied at the Technical School in Frederiksberg (Denmark) from 1911 to 1914, and then at the Technical College in Copenhagen (1914-1917).
He started out practising traditional functionalist architecture, but over the years his professional interests evolved to focus mainly on lighting, which is what he is most famous for. He also branched out into writing, becoming a journalist and author. For a brief period at the start of the Second World War, he was chief architect of Tivoli Gardens in Copenhagen. But like many other creative people, he was forced to flee Denmark during the German occupation, and soon became a vital part of the Danish colony of artists living in Sweden.
His long collaboration with Louis Poulsen began in 1925 and lasted until his death. To this day, Louis Poulsen still benefits from his genius. Poul Henningsen was also the first editor-in-chief of the business magazine "NYT". Louis Poulsen's CEO at the time, Sophus Kaastrup-Olsen, offered PH the magazine because he had been sacked from the Danish newspaper he was working for (his views were too radical).
Poul Henningsen's pioneering work on the relationship between light structures, shadows, glare and colour reproduction, compared with man's need for light, remains the foundation of the lighting theories still practised by Louis Poulsen.
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