Scandinavia Design

PH3/2 table – Louis Poulsen

Poul Henningsen, 1927

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Louis Poulsen, Danish Design Lighting
Lampe de table PH3/2 Édition LimitĂ©e  Poul Henningsen, 1927

ELEGANT MATERIALS AND A CLASSIC DESIGN

The PH Limited Edition 2022 Collection adds a touch of elegance to your home with it’s timeless design crafted with brushed brass and opal glass. For the first time, the limited edition collection is available as both a table lamp and a ceiling pendant.

Lampe de table PH3/2 Édition LimitĂ©e  Poul Henningsen, 1927
Lampe de table PH3/2 Édition LimitĂ©e  Poul Henningsen, 1927

BEAUTIFUL BRUSHED BRASS

The PH Limited Edition 2022 exudes elegance with the brushed brass finish, that has fine hairlines which follow the form of the lamp. Over time the brass will patinate beautifully, giving the lamp a unique character.

MOUTHBLOWN OPAL GLASS SHADES

The two lower shades of the PH Limited Edition 2022 are made of mouthblown opal glass, which is sandblasted white on the underside. Each shade is an example of exquisite craftmanship.

Lampe de table PH3/2 Édition LimitĂ©e  Poul Henningsen, 1927
Lampe de table PH3/2 Édition LimitĂ©e  Poul Henningsen, 1927

Dimensions Ø29 x H46,9 cm

Light source 1 x E14

Class Protection class IP20. Electrical class II.

Lampe de table PH3/2 Édition LimitĂ©e  Poul Henningsen, 1927
Lampe de table PH3/2 Édition LimitĂ©e  Poul Henningsen, 1927
Lampe de table PH3/2 Édition LimitĂ©e  Poul Henningsen, 1927

PH 3/2 Table Lamp
Limited Edition

Poul Henningsen

Poul Henningsen

Poul Henningsen was born in Copenhagen to the famous Danish actress Agnes Henningsen. He never graduated as an architect, but studied at The Technical School at Frederiksberg, Denmark from 1911-14, and then at Technical College in Copenhagen from 1914-17.

He started practicing traditional functionalistic architecture, but over the years his professional interests changed to focus mainly on lighting which is what he is most famous for. He also expanded his field of occupation into areas of writing, becoming a journalist and an author. For a short period at the beginning of WWII, he was the head architect of the Tivoli Gardens in Copenhagen. But like many other creative people, he was forced to flee Denmark during the German occupation but soon became a vital part of the Danish colony of artists living in Sweden.

His lifelong collaboration with Louis Poulsen Lighting began in 1925 and lasted until his death. To this day, Louis Poulsen Lighting still benefits from his genius. Poul Henningsen was also the first editor of the company magazine “NYT”. The CEO of Louis Poulsen at the time, Sophus Kaastrup-Olsen, gave the magazine to PH as a gift because he had been terminated from the Danish newspaper he worked for (his opinions were too radical).

Poul Henningsen's pioneering work concerning the relations between light structures, shadows, glare, and color reproduction—compared to man’s need for light remains the fondation of the lighting theories still practiced by Louis Poulsen Lighting