The Ply Rug is available in a wide variety of different sizes and colors. Each Ply rug is finished with a woven tail that gives it character and brings old weaving traditions up to date.
For daily cleaning, shake the rug. Clean stains immediately with sparkling water. In order to maintain the rug in the long term, it is recommended to turn it over twice a year.
Materials 100% New Zealand wool
Colours black and white, dark grey, off white, rose, yellow, midnight blue, burnt orange
Free samples (against deposit)
85 x 140 cm
80 x 200 cm
170 x 240 cm
240 x 240 cm
200 x 300 cm
280 x 280 cm
85 x 140 cm
80 x 200 cm
270 x 360 cm
85 x 140 cm
80 x 200 cm
170 x 240 cm
240 x 240 cm
200 x 300 cm
280 x 280 cm
270 x 360 cm
85 x 140 cm
80 x 200 cm
170 x 240 cm
200 x 300 cm
270 x 360 cm
85 x 140 cm
80 x 200 cm
170 x 240 cm
240 x 240 cm
200 x 300 cm
280 x 280 cm
270 x 360 cm
85 x 140 cm
80 x 200 cm
170 x 240 cm
240 x 240 cm
200 x 300 cm
280 x 280 cm
270 x 360 cm
85 x 140 cm
80 x 200 cm
170 x 240 cm
240 x 240 cm
200 x 300 cm
280 x 280 cm
270 x 360 cm
400 x 400 cm
80 x 200 cm
170 x 240 cm
200 x 300 cm
270 x 360 cm
400 x 400 cm
85 x 140 cm
80 x 200 cm
170 x 240 cm
240 x 240 cm
200 x 300 cm
280 x 280 cm
270 x 360 cm
Sous-tapis 70 x 160 cm
Sous-tapis 70 x190 cm
Sous-tapis 160 x 230 cm
Sous-tapis 190 x 290 cm
Sous-tapis 260 x 350 cm
Sous-tapis 380 x 380 cm
Margrethe Odgaard
Margrethe Odgaard is a Danish designer of textiles and colors. Constantly looking for new ways to explore colors and patterns, she works in particular from perceptions of the different senses. Touch is therefore of particular importance and complements the visual impression. Margrethe Odgaard defends the idea that products made with the intention of nourishing the body and mind will have a positive impact on the viewer.
A graduate of the Royal Danish Academy of Fine Arts, School of Design, Margrethe Odgaard also studied at the Rhode Island School of Design in the United States. Before setting up her own studio, she worked for several years as a textile designer at the French fashion company EPICE and was also a print assistant at the Fabric Workshop and Museum in Philadelphia.
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