Scandinavia Design

Haze rugs – Nanimarquina

Begüm Cana Özgür

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- 20% on all Nanimarquina

Nanimarquina, Tapis Design

The Haze carpet collection plays with colors in a harmonious way, generating a visual balance where little by little they appear and disappear, interconnecting and becoming difficult to control - a reflection on the meaning of the contrast between colors (tone, value, temperature and saturation), where the simplicity of the graphic design gives voice to the power of the color

Materials 50% New Zealand wool - 50% italian wool
Technique hand loomed - Type Dhurrie - Density 58.900 yarns /
Thickness 5 mm  - Care dry clean
Non-slip base included
Special dimensions available on order :
please ask.

Additional treatments (stain-resistant and damp-resistant) available on order : please ask.


Important : Rugs > 2m can't be returned. That's why, we advise you to ask for the samples before placing any order to confirm your choice. Deposit will be refunded upon return of samples.

Free sample (against deposit)

Quick delivery models

Haze 1

200 x 300 cm

 170 x 240 cm

80 x 240 cm

Haze 2

200 x 300 cm

170 x 240 cm

80 x 240 cm

Haze 3

200 x 300 cm

170 x 240 cm

80 x 240 cm

Haze 4

200 x 300 cm

170 x 240 cm

80 x 240 cm

Haze 5

200 x 300 cm

170 x 240 cm

170 x 240 cm

other sizes (14/15 weeks)

Haze 1 - 250 x 350 cm

Haze 1 - 300 x 400 cm

Haze 2 - 250 x 350 cm

Haze 2 - 300 x 400 cm

Haze 3 - 250 x 350 cm

Haze 3 - 300 x 400 cm

Haze 4 - 250 x 350 cm

Haze 4 - 300 x 400 cm

Haze 5 - 250 x 350 cm

Haze 5 - 300 x 400 cm

NB : Haze rugs are also available in custom sizes : ask us for a quotation

Begüm Cana Özgür

Begüm Cana Özgür

Born in 1989, Turkish designer Begüm Cana Özgür received her master’s degree from Cranbrook Academy of Art, US. In 2014, she opened her studio, based in Istanbul, where the cultural richness of the land has been the major motive in her work, developing an interest in ancient craft practices.


Begüm Cana Özgür’s work integrates design, art, and crafts. Starting from the initial ideation, her design process is carried out hands on. She plays with common materials and existing techniques to fully understand their potential in order to develop new contemporary expressions. The experimental process results in the development and adaptation of skills, suggesting new ways of doing, which enable design ideas to inhabit a truly authentic form of body in her work.