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Panton One loungeMontana 

Verner Panton

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The Panton One lounge chair is the lounge version of the Panton One chair, the first created by Verner Panton in 1955. Comfortable and lightweight, it is available in indoor and outdoor versions.

Fauteuil Panton One Montana – Verner Panton

The Panton One armchair is highly customizable, as the seat cords are available in 8 colors and the frame in 5 colors. You can freely combine options to adapt the chair to your interior. 

Only the stainless steel frames are suitable for outdoor use.

Fauteuil Panton One Montana – Verner Panton
Fauteuil Panton One Montana – Verner Panton

Materials Polyurethane, steel. Felt glides included. Max. capacity 150 kg.
Dimensions 76 x 59 x H78 cm – Seat height 40 cm

Fauteuil Panton One Montana – Verner Panton

from

8 seat colors

Fauteuil Panton One Montana – Verner Panton

5 frame colos

Fauteuil Panton One Montana – Verner Panton

examples: 

Fauteuil Panton One Montana – Verner Panton
Fauteuil Panton One Montana – Verner Panton

Black
/ Black

Marylinn
/ Beige

Fauteuil Panton One Montana – Verner Panton
Fauteuil Panton One Montana – Verner Panton

Scarlett
/ Black red

Vincent
/ stainless steel

Fauteuil Panton One Montana – Verner Panton
Fauteuil Panton One Montana – Verner Panton
Fauteuil Panton One Montana – Verner Panton
Fauteuil Panton One Montana – Verner Panton
Fauteuil Panton One Montana – Verner Panton
Fauteuil Panton One Montana – Verner Panton
Fauteuil Panton One Montana – Verner Panton

Verner Panton

Verner Panton

Verner Panton (1926-1998) was an inspiring and colorful personality. A singular individual with an innate sense of color, form, light and space.

Verner Panton studied at the Royal Danish Academy of Fine Arts in Copenhagen before working for Arne Jacobsen's architectural practice. He set up his own design studio in 1955.

Over the course of his career, Verner Panton created a series of modern lamps and furniture unlike any of his Scandinavian contemporaries. Driven by an unshakeable faith in the unlimited possibilities of form, he succeeded in creating a new set of theories about how lighting and furniture should function and influence their surroundings.

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