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Chair 66 – Artek

Alvar Aalto, 1935

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Artek, Design Finlandais
Chair 66 Alvar Aalto, 1935

Chair 66 is a universal wooden chair in the tradition of classic kitchen and cafÊ chairs; its visible, additive construction logic is full of character and pleasing to the eye. 

The wide backrest offers comfort and flexibility, while the Finnish birch used to make the chair is both durable and lightweight.  With its handle-like seat back, Chair 66 is easy to move wherever it is needed. Available in a variety of colours and finishes.

Chair 66 Alvar Aalto, 1935
Chair 66 Alvar Aalto, 1935
Chair 66 Alvar Aalto, 1935
Chair 66 Alvar Aalto, 1935
Chair 66 Alvar Aalto, 1935
Chair 66 Alvar Aalto, 1935

Dimensions L39 x P42 x H80 cm – seat height 45,5 cm

Materials Legs and seat edge band solid birch. Seat surface birch veneer. Backrest form-pressed birch plywood

Chair 66 Alvar Aalto, 1935 – unupholstered seat
Chaise 66  Alvar Aalto – assise non rembourrée

Chair 66 – Natural lacquered birch

Chair 66 Forest – Wild Birch

Chair 66 Alvar Aalto, 1935 – unupholstered seat
Chair 66 Alvar Aalto, 1935 – unupholstered seat

Chair 66 – Birch + Black Linoleum

Chair 66 – Birch + White HPL

Chair 66 Alvar Aalto, 1935 – unupholstered seat
Chair 66 Alvar Aalto, 1935 – unupholstered seat

Chair 66 – Black

Chair 66 – White

Chair 66 Alvar Aalto, 1935

Chair 66 with
upholstered seat

Chair 66 Alvar Aalto, 1935 – upholstered seat

Chair 66 Natural lacquered birch
+ upholstered seat
from :

Chair 66 Alvar Aalto, 1935 – upholstered seat

Chair 66 Lacquered birch
+ upholstered seat
from :

Glides

4 felt glides

Chair 66 Alvar Aalto, 1935 – upholstered seat
Chair 66 Alvar Aalto, 1935 – upholstered seat

leather SĂśrensen Prestige beige
(price group A)

Zebra fabric
(price group 6)

Chair 66 Alvar Aalto, 1935 – upholstered seat

NB: fabric or leather can be upholstered directly on the seat, without padding (same price, ask us).

Free samples
(against deposit)

Chair 66 Alvar Aalto, 1935
Chair 66 Alvar Aalto, 1935
Chair 66 Alvar Aalto, 1935
Chair 66 Alvar Aalto, 1935
Chair 66 Alvar Aalto, 1935

Alvar Aalto

Alvar Aalto

Hugo Alvar Henrik Aalto (1898-1976) was born in Kuortane, Finland. His father, Johan Henrik Aalto, was a Finnish-speaking land-surveyor and his mother, Selly (Selma) Matilda (nÊe Hackstedt) was a postmistress. When Aalto was 5 years old, the family moved to Alajärvi, and from there to Jyväskylä in Central Finland. Aalto studied at the Jyväskylä Lyceum school, completing his basic education in 1916. In 1916 he then enrolled to study architecture at the Helsinki University of Technology, graduating in 1921.

In 1923 he returned to Jyväskylä, where he opened his first architectural office. Jyväskylä would become a notable city for his architecture, with more buildings designed by him than in any other city. The following year he married architect Aino Marsio. Their honeymoon journey to Italy sealed an intellectual bond with the culture of the Mediterranean region that was to remain important to Aalto for the rest of his life. The Aaltos moved their office to Turku in 1927, and started collaborating with architect Erik Bryggman. The office moved again in 1933 to Helsinki.

The Aaltos designed and built a joint house-office (1935–36) for themselves in Munkkiniemi, Helsinki, but later (1954–56) had a purpose-built office built in the same neighbourhood - the latter building nowadays houses the Alvar Aalto Academy. Aino and Alvar Aalto had 2 children, a daughter Johanna "Hanni" Alanen, born Aalto, 1925, and a son Hamilkar Aalto, 1928. In 1926 the young Aaltos designed and had built a summer cottage in Alajärvi, Villa Flora. Aino Aalto died of cancer in 1949. In 1952 Aalto married architect Elissa Mäkiniemi (died 1994), who had been working as an assistant in his office. In 1952 Aalto designed and had built a summer cottage, the so-called Experimental House, for himself and his new wife in Muuratsalo in Central Finland. Alvar Aalto died on May 11, 1976, in Helsinki.

Aalto's career spans the changes in style from (Nordic Classicism) to purist International Style Modernism to a more personal, synthetic and idiosyncratic Modernism. Aalto's wide field of design activity ranges from the large scale of city planning and architecture to interior design, furniture and glassware design and painting. It has been estimated that during his entire career Aalto designed over 500 individual buildings, approximately 300 of which were built, the vast majority of which are in Finland. He also has a few buildings in the USA, Germany, Italy, and France.

Aalto claimed that his paintings were not made as individual artworks but as part of his process of architectural design, and many of his small-scale "sculptural" experiments with wood led to later larger architectural details and forms. These experiments also led to a number of patents: for example, he invented a new form of laminated bent-plywood furniture in 1932. His experimental method had been influenced by his meetings with various members of the Bauhaus design school, especially LĂĄszlĂł Moholy-Nagy, whom he first met in 1930. Aalto's furniture was exhibited in London in 1935, to great critical acclaim, and to cope with the consumer demand Aalto, together with his wife Aino, Maire Gullichsen and Nils-Gustav Hahl founded the company Artek that same year. Aalto glassware (Aino as well as Alvar) is manufactured by Iittala.

Aalto's 'High Stool' and 'Stool E60' (manufactured by Artek are currently used in Apple stores across the world to serve as seating for customers. Finished in black lacquer, the stools are used to seat customers at the 'Genius Bar' and also in other areas of the store at times when seating is required for a product workshop or special event.