Scandinavia Design

Panthella – Louis Poulsen

Verner Panton, 1971Β 

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Louis Poulsen, Danish Design Lighting
Louis Poulsen – Lampe PANTHELLA – Verner Panton
Louis Poulsen – Lampe PANTHELLA – Verner Panton
Louis Poulsen – Lampe PANTHELLA – Verner Panton

The Panthella lamp is one of the most famous creations of the prolific Danish designer Verner Panton, a pioneer in the use of synthetic materials (see for example his famous Panton chair, developed with Vitra). With the Panthella lamp, Verner Panton was able to make the most of the optical qualities of acrylic: the hemispherical lampshade diffuses a soft light mainly directed downwards, where its convex foot acts as a reflector in order to obtain a light non-glare and multi-directional which illuminates the entire room evenly.

The lamp is now available in numerous versions, acrylic and metallic, white or colored, and everyone will find the one suited to their tastes and uses.

Lampe Panthella  Louis Poulsen  Verner Panton, 1971
Lampe Panthella  Louis Poulsen  Verner Panton, 1971
Lampe Panthella  Louis Poulsen  Verner Panton, 1971

Panthella 160 portable V3 (Ø16 cm – IP44)

Panthella 160 portable
Panthella 160 portable
Panthella 160 portable
Panthella 160 portable

Dimensions Ø16 x H24 cm (0,4 kg)

Light source LED 2700K 2,5W – 3 brightness levels (10/33/100%)

Autonomy 8.5h - 18650 Li-Ion battery (3100 mAh), rechargeable via USB-C cable (1.5 m)Β 

Materials polymer shade and base

Technical data

Panthella 160 portable
Panthella 160 portable

Opaque Yellow

Opaque Orange

Panthella 160 portable
Panthella 160 portable

Opaque Coral

Opaque Indigo Blue

Panthella 160 portable
Panthella 160 portable

Opaque Black

Opal Beige

Panthella 160 portable
Panthella 160 portable

Opal Pale Blue

Opal Pale Rose

Panthella 160 portable
Panthella 160 portable

Opal White

Opal Blue Grey and Chrome

Panthella 160 portable
Panthella 160 portable

Opal Beige and Chrome

Brass

Panthella 160 portable
Panthella 160 portable

Chrome

Panthella 250 portable (Ø25 cm)

Panthella 250 portable
Panthella 250 portable
Panthella 250 portable
Panthella 250 portable

Dimensions Ø25 x H34,6 cm (0,9 kg)

Light source LED 2700K 6,2W – 3 brightness levels (10/33/100%)

Battery 5h – 1 replaceable lithium battery, rechargeable via USB cable (1.5 m long)

Materials injection-moulded acrylic + cast aluminium
Technical data

Panthella 250 portable

White Opal Acrylic

Panthella 250 (Ø25 cm)

Panthella 250 lampe de table
Panthella 250 lampe de table
Panthella 250 lampe de table

Dimensions Ø25 x H33,5 cm – base Ø15,6 cm

Light source 10W 2700K LED circuit. Dimmer. Timer function for automatic switch-off after 4 or 8 hours. The lamp can be configured to switch on at a given light level.Β 

Material acrylic or punched steel + aluminum base
Assembly Cable length: 2.5 m. Switch on the cable.

Weight 1,2 kg

Panthella 250 table lamp
Panthella 250 lampe de table

White Metal

Pale Rose Metal

Panthella 250 lampe de table
Panthella 250 table lamp

Pale Blue Metal

Coral Metal

Panthella 250 table lamp
Panthella 250 table lamp

Orange Metal

Black Metal

Panthella 250 table lamp
Panthella 250 table lamp

Chromed

Brass Metalised

Panthella 250 table lamp

OFF / ON

Panthella 250 table lamp

Acrylic Opal Grey

Panthella 250 table lamp

Acrylic Opal White

Panthella 250 lampe de table

Acrylic Opal Pale Rose

Panthella 250 lampe de table

Acrylic Opal Pale Blue

Panthella 250 table lamp
Panthella 250 table lamp
Panthella 250 table lamp

Panthella 320 (Ø32 cm)

Panthella 320 lampe de table
Panthella 320 lampe de table
Panthella 320 lampe de table
Panthella 320 lampe de table

Dimensions Ø32 x H43.8 cm – base Ø20 cm

Light source 1 x E14

Materials Acrylic or pressed steel lampshade. Aluminum base
Assembly Cable 2,5 m. Switch on the cable.

Weight 1,5 kg

Panthella 320 table lamp
Panthella 320 table lamp

High Lustre Chrome Plated

Brass metalised

Panthella 320 table lamp

OFF / ON

Panthella 320 table lamp

Acrylic Opal Grey

Panthella 320 table lamp
Panthella 320 table lamp

Acrylic Opal White

Panthella 400 (Ø40 cm)

Panthella 400 lampe de table
Panthella 400 lampe de table
Panthella 400 lampe de table

Dimensions Ø40 x H58 cm – base Ø25 cm
Light source 1 x E27

MatΓ©riaux White opal acrylic lampshade, injection molded. Base and housing: white ABS, injection molded.
Assembly Cable 2,5 m. Switch on the cable.

Weight 2,5 kg

Panthella 400 table lamp

Acrylic Opal White

Panthella 400 lampe de table

Panthella Floor lamp (Ø50 cm)

Lampadaire Panthella
Lampe Panthella  Louis Poulsen  Verner Panton, 1971
Lampe Panthella  Louis Poulsen  Verner Panton, 1971

Dimensions Ø50 x H130,5 cm – base Ø34,5 cm

Light source 1 x E27

Materials White opal acrylic lampshade, injection molded. Base and housing: white ABS, injection molded.
Assembly Cable 2,5 m. Switch on the cable

Weight 5 kg

Panthella floor lamp

Panthella Floor lamp

Lampadaire Panthella
Louis Poulsen – Lampe PANTHELLA – Verner Panton
Lampe Panthella  Louis Poulsen  Verner Panton, 1971

Verner Panton

Verner Panton

Verner Panton (1926-1998) is famous for his inspirational and colorful personality. A unique person with a special sense for color, shape, light function and space.

Over the course of his career, Panton introduced a series of modern lamps with personalities unlike any of his Scandinavian contemporaries.

With remarkable faith in the unlimited possibilities of form, he worked successfully to create a new set of theories about light function and influence.

'The main purpose of my work is to provoke people into using their imagination. Most people spend their lives living in dreary, grey-beige conformity, mortally afraid of using colors. By experimenting with lighting, colors, textiles and furniture and utilizing the latest technologies, I try to show new ways, to encourage people to use their imagination and make their surroundings more exciting'. - Verner Panton

Verner had a very clear attitude regarding his work and regarding shape, color and function. At the same time, he made conscious and brave use of different materials. His use of different materials often led to his contemporaries disparaging the 'timelessness' of his design. The great interest in his design today proves the opposite.