Børge Mogensen designed this solid wood bench in 1956. Designed for the dining area, with a robust structure that magnifies the wood, the Mogensen bench is a perfect example of Mogensen's desire to purify my form without ever penalizing the function.
The Mogensen bench has now become a classic, the embodiment of an honest, durable, unpretentious and timeless design, all cardinal values of Scandinavian design.
Dimensions L171,5 x P48,5 x H77 cm – Seat height 46 cm – weight 21 kg
Structure solid oak
Seat fabric or leather
Soaped oak / leather Vegeta 90 natural
Smoke oiled oak / leather Omni 301 black
Oiled oak / leather Omni 301 black
light oiled oak / leather Max 95 cognac
Black lacquered oak / leather Omni 301 black
3171 Mogensen bench
from
Free samples (against caution)
soaped oak
light oiled oak
smoked oiled oak
black painted oak
Børge Mogensen
Børge Mogensen’s (1914-1972) creative process produced long-lasting pieces with humans at the center. He became a highly influential post-war designer and a leading representative of Danish Modern.
Mogensen’s democratic design included simple and functional wooden furniture for both private and public spaces, with calm aesthetics and strong construction from quality materials. He believed in visual clarity and minimal decoration or experimentation, as seen in his classic Hunting Table and Deck Chair Set.
As a student at the Royal Danish Academy of Fine Arts, Mogensen was inspired by Kaare Klint’s use of human proportions with visual calm and functionalism. Mogensen, however, also placed emphasis on informal interior décor and the use of modern production facilities.
Mogensen completed his cabinetmaker training in 1934, followed by studies in furniture design. During this period he worked in the studios of Klint and Mogens Koch until he was hired as chief designer for the Danish furniture cooperative FDB in 1942, where he pioneered democratic design.
He began his own design studio in 1950, making modern, useful furniture produced from local, Nordic materials. His inspiration, however came from many cultures and styles, including international modernism, ethnic arts, Japanese carvings, and historic works.
Mogensen also taught furniture design and participated in exhibitions and competitions, such as the 1948, international competition for Low-Cost Furniture at the Museum of Modern Art in New York, which he entered together with his friend Hans J. Wegner.
He was awarded the Eckersberg Medal in 1950 and won the Danish Furniture Prize in 1971. In 1972 he was awarded the C.F. Hansen Medal and appointed Honorary Royal Designer for Industry at the Royal Society of Arts in London.
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